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A new literature evolved, calling for a break with Confucian values, and the xia emerged as a symbol of personal freedom, defiance to Confucian tradition, and rejection of the Chinese family system.
Starting from the 1930s, wuxia works proliferated and its centre shifted to Beijing and Tianjin in northern China.
They usually rendered their loyalties and services to feudal lords and nobles in return for rewards such as riches and women.
In Volume 124 of the Shi Ji, Sima Qian detailed several embryonic features of xia culture from his period.
Some well-known stories include Zhuan Zhu's assassination of King Liao of Wu, and most notably, Jing Ke's attempt on the life of the King of Qin (who became Qin Shi Huang later).), which literally means "martial heroes", is a genre of Chinese fiction concerning the adventures of martial artists in ancient China.Although wuxia is traditionally a form of literature, its popularity has caused it to spread to diverse art forms such as Chinese opera, manhua, films, television series and video games.The term "wuxia" as a genre label itself first appeared at the end of the Qing dynasty, a calque of the Japanese "bukyō", a genre of oft-militaristic and bushido-influenced adventure fiction.
The term was brought to China by writers and students who hoped that China would modernise its military and place emphasis on martial virtues, and it quickly became entrenched as the term used to refer to xiayi and other predecessors of wuxia proper.The heroes in wuxia fiction typically do not serve a lord, wield military power or belong to the aristocratic class.They often originate from the lower social classes of ancient Chinese society.These popular phenomena were also documented in other historical records such as the Book of Han and the Book of the Later Han.